Full description not available
L**Y
Great book for great music!
clear, accurate transcriptions (at least to my ears), in a format we all grew to know well in the old Guitar magazine transcriptions in the 80s and 90s.
N**Z
True to record performance
Excellent, accurate, true-to-record performance transcriptions.
B**H
Can't give it away, like it too much!
Purchased this for a close friend, but decided it was too wonderful. Enjoying it myself first, then I'll send it to him....
J**G
Five Stars
great book and great service
C**A
If want to play cover Beatles perfectly, then get all the books in this series, if possible.
A must for any guitar player involved with Beatles music, especially when covering with correction is crucial. Even if you cannot read sheet music, tablature with help you all along the songs.
A**N
Useful Arrangements from the Guitarist's Perspective
This proved to be one of an extremely useful collection when it was first introduced some years ago and I was pleased to find that it is now able to be accessed via Kindle.The fact that it is arranged in specific album format makes it particularly relevant to those such as myself, who were first introduced to the songs via the albums.It is also important to note that it was not possible for those accessing published music in the 1960s to avail themselves of such detail as is evident in these publications, relating to specific guitar arrangements. This was because published music, at that time, was generally centred around a vocal score supported by piano accompaniment and guitar chords.Consequently, I would heartily recommend this and other songbooks in the collection (both in printed and Kindle formats) and the detailed manner in which the arrangements are presented, especially from the guitarist's perspective.
Z**A
In Perfect Condition
One of the great records of all time.
T**2
Pretty Good.
Very well put together, accurate. The only problem is that in songs using a capo, rather than noting the chord being played, it notes the chord being played as though you were playing open, so, for example, f#m is written as em when there is a capo on the 2nd fret in nowhere man. Some may find this useful, I would prefer it to note the actual chord being played, particularly for when you misplace your capo.
F**M
拡がる音楽性、アイドルからアーティストへの転換期
1965年12月リリースの6thアルバムのマッチングスコアです。前期では特に人気の高いアルバムです、ですが現在ではちょっと考えられない前作から僅か4ヶ月でのリリース、しかも前作のリリース後1ヶ月で世界初の伝説のスタジアムライブ（atシェアスタジアム）を含むアメリカツアー、この後6週間の完全休養、曲のストックも無くレコーディングには実質2ヶ月弱、何と言うハードスケジュールでしょう、ちなみに12月のイギリスツアーが最期となる。この短い期間にこれらの曲を作りアレンジしレコーディングしている、どれ程創作意欲が旺盛なんでしょうか？（呆れ返るばかりです）このアルバムからギター・ベースの機材が変わり曲調や歌詞の印象も変わり始める、音楽性の幅が広がりアイドルからアーティストへの転換期。この後一切のライブ活動を止め（1966年8月が最期のツアー、日本公演は6月）、スタジオワークを突き詰めて行く事になります（ジョージ・マーティンの尽力が大きい）。ギター譜なのであくまでおまけとして8.のリンゴのドラミングは歌うことを考えると驚異的だし、11.のパターンなどはシンプルだが独創的でセンス丸出しである。掲載曲は以下の14曲でTAB譜付きギタースコアです。※バッキングだけならコードダイアグラムとストロークパターンだけの場合あり。※スペースに余裕の無い場合はFig.(ﾌｨｷﾞｭｱ)表示で省略されます（要はこのパターンと言う事です）。※ギター以外の楽器でも重要なカウンターメロディはアレンジして五線譜とTAB譜で表してます。1. DRIVE MY CAR （PianoのTAB）2. NORWEGIAN WOOD(THIS BIRD HAS FLOWN) （SitarのTAB）3. YOU WON’T SEE ME （PianoのTAB）4. NOWHERE MAN5. THINK FOR YOURSELF （BassのTAB）6. THE WORD （Piano・HarmoniumソロのTAB）7. MICHELLE8. WHAT GOES ON9. GIRL10. I’M LOOKING THROUGH YOU11. IN MY LIFE （回転操作PianoソロのTAB）12. WAIT13. IF I NEEDED SOMEONE14. RUN FOR YOUR LIFE（Hammond Organ等の楽器が入っている場合がありますが、採譜されているのは上記分だけ）
Trustpilot
4 days ago
1 month ago
