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Collateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers ( Thief , Manhunter , and especially Heat ) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray ), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division ). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff Shannon A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim. Review: Good film - Good film on 4k but tbh haven't watched yet Review: Average Guy comes through The Hero - I think Tom Cruise is great in this film. His friendly demeanor makes him even more menacing than he otherwise would be. Fox is great as the average guy trying to make good that when tested comes through the hero. I've no idea why my reviews for this film keep going missing. This is the third time I have put up my review.





































| Contributor | Barry Shabaka Henley, Bruce McGill, Irma P. Hall, Jada Pinkett Smith, Jamie Foxx, Julie Richardson, Mark Ruffalo, Michael Mann, Peter Berg, Richard T. Jones, Stuart Beattie, Tom Cruise Contributor Barry Shabaka Henley, Bruce McGill, Irma P. Hall, Jada Pinkett Smith, Jamie Foxx, Julie Richardson, Mark Ruffalo, Michael Mann, Peter Berg, Richard T. Jones, Stuart Beattie, Tom Cruise See more |
| Customer Reviews | 4.5 out of 5 stars 3,112 Reviews |
| Format | PAL |
| Genre | Action, Feature film |
| Manufacturer | Paramount Home Entertainment |
| Number of discs | 1 |
| Runtime | 2 hours |
N**A
Good film
Good film on 4k but tbh haven't watched yet
L**R
Average Guy comes through The Hero
I think Tom Cruise is great in this film. His friendly demeanor makes him even more menacing than he otherwise would be. Fox is great as the average guy trying to make good that when tested comes through the hero. I've no idea why my reviews for this film keep going missing. This is the third time I have put up my review.
D**N
Action Packed Absorbing Poor Ending
Good thriller, fantastic photography, excellent acting and direction. I thought the plot was almost plausible till the 4th killing, then it all became a bit insane and worthy of a DC superhero (Clark Kent as a Cabby). Apart from that it was good entertainment.
B**R
BrownPolar Verdict
Occasionally, a film comes along with all the qualities of a masterpiece: a superb and original script that just could not go wrong in the hands of a gifted director, who has never made anything below par; a great cast who lovingly live the characters in their exceptional performances; outstanding cinematography; a terrific and haunting music score and crisp editing; and a film, not too short, not too long; and finally, critics adore it and audiences love it. That then is a masterpiece, and `Collateral' without any doubt is one, that I recommend to everyone as a 'film to see before you die' as the famous Film4 ad goes. One characteristics of Michael Mann's work is his unique portrayal of LA night: the roads, the traffic, the buildings and the night sky in particular; as he did in `Heat' and has revisited in `Collateral`. It is depicted almost as a character in his films, and here in Collateral, there are unique sequences in which aerial shots meanderingly focus on the moving taxi in which the two main characters move from one target to the next, with helicopters hovering in the background. And for a few seconds, the moving cab looks almost sailing through the night. I have never seen this technique before. One of the most memorable sequences in the film is the one where a fox crosses the street in front of the deeply thoughtful two protagonists. It is unlikely that I will ever forget that sequence. `Collateral' is likely to remain in our collective memory as a great film and a true masterpiece by one of the greatest directors of our time. BrownPolar 31st August 2006
A**E
Definitely worth watching
Really good , gripping thriller from beginning to end.
S**K
Worst assassin ever
If any of you have ever played the Hitman video games you will probably think that you could do quite well as contract killer given the right tools. You'd probably be right, or at least you'd be a hundred times better than Vincent in this movie. Apparently the phrase "silent assassin" is not in his vocabulary. He doesn't even use silencers on his very loud gun. Tom Cruise plays Vincent - a thoroughly conspicuous looking character who is in LA for a spot of contract killing. He hires unhappy cabbie Max (Jamie Foxx) for the whole night. Five stops, five kills - all in a night's work. This arrangement might have worked if Vincent were competent in the least. But he's just terrible. He leaves evidence everywhere, makes moronic mistakes, walks in front of every CCTV camera in LA, leaves fingerprints everywhere, and blabs far too much to Max, who any half-competent assassin would off at the end of the night anyway. Whatever the bad guys are paying him, the paycheck far exceeds the skill. I know the face and name need to sell the movie, but surely you'd remember a suspicious guy who looked like Tom Cruise being at the scene of every murder in LA during the course of one night. Michael Mann directs the film with amazing skill, brilliantly capturing the multiple looks and feelings of night-time LA. There are many scenes of tangible atmosphere in Collateral, so much so that the film is eerily calming. Using a combination of digital cameras for the car scenes and 35mm (Super35 sadly, not anamorphic) for the interiors there are many gorgeous shots and stunning compositions. Cruise and Foxx have great chemistry together though it must be said that Foxx comes off as the better performer/character. Neither of them overact and keep their cool but there's a true realistic edge to his lonely cabbie than Cruise's idiot assassin who leaves incriminating exhibits A-Z all over LA. Look out for a blink-and-you-miss-it cameo from the Transporter himself right at the very start. The Blu-ray is in gorgeous looking 2.35:1 1080p with colors so vivid and lifelike you'll forget your watching a movie and not real life. The DTS HD-MA soundtrack is also stunning, fully complimenting the movie's dynamic sound design. Gunshots and very loud and pack a heavy punch, if you have a home theatre you'll love it. James Newton Howard's atmospheric score is also seamlessly woven into the film's sound design and it's surely Howard at the top of his game, miraculously blending his own score with non-original tracks. Seriously, if you have a home theatre you'll LOVE the Fever Club scene.
A**R
Typical Michael Mann, an excellent action movie
On the face of it, an assassin with a shopping list, forcing a taxi driver to drive him and get involved in his heartless actions is a strange story. Michael Mann manages to create a believable narrative with Tom Cruise and James Foxx make it work. The film has multiple events that are surprising/alarming on first viewing, especially if you empathise with the characters.
I**I
Buy It!
Probably one of the best from Tom C and directed by Michael Mann - nuff said!
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