Little Women

Awesome movie! Very wholesome and humorous, a fun family or girl’s night watch! It is very accurate to the book, although some scenes are blended together, which makes sense because of the book being so long!

Totally totally my favorite speculate movie.

Love this movie, me and my mother would watch this every year when it came on tv.

This version follows the book the closest. The acting is great. I would say it’s my second favorite.

Wonderful old classic seeing all the little women movies actresses are wonderful

Last week I reviewed the 1933 version of _Little Women_, directed by George Cukor and starring Katharine Hepburn. I refer you to that review for more details. This review will be a brief (for my standards, at least) comment on the 1949 adaptation, directed by Mervyn LeRoy and starring June Allyson, Rossano Brazzi, Elizabeth Taylor, and Janet Leigh. Let me begin by saying that LeRoy’s film is, primarily, a Technicolor version of the 1933 film. The actors are, of course, different, but the script is the same. There is only one “original” scene in the 1949 version: we see the March sisters going to a store to buy presents after Aunt March gives them money. As one critic rightly observed, the scene is meant to exalt consumerism during the prosperous post-WWII years. By making money circulate, one helps the economy. The money, supposedly, comes back to you eventually… This scene is not in the novel, and it would have been anachronistic in Cukor’s film, which was released during the Great Depression and emphasized the need for families to stick together during hard times. _Little Women_, incidentally, rings truer during troubled times, as the novel is set in the time of the Civil War. In our relatively (or apparently, however you want to look at it) peaceful time, the latest adaptations have chosen to highlight social issues such as women’s rights and societal privilege. One of the main criticisms leveled at the 1933 version is concerned with Katharine Hepburn’s performance, which many viewers consider to be over the top. I must say I agree, though as I pointed out in my previous review, this does not diminish Katharine Hepburn’s worth as an actress. Those who have reservations about Hepburn’s Jo may approve of June Allyson’s magnificent performance in the 1949 version. Hepburn’s influence on it is noticeable, but Allyson delivers a more balanced performance. Another issue with the 1933 version had to do with its pace, which to me seemed a bit rushed towards the end. This remains the same in the 1949 version. Professor Bhaer makes his first appearance roughly at the 1:30 mark, that is, three quarters into the film, and many important developments occur within the last ten minutes of the movie. This version, incidentally, exhibits the smallest age different between the actress playing Jo and the actor playing Bhaer. Allyson and Brazzi were born only one year apart. Cukor’s version omits the manuscript and the skating incidents. (As in my previous review, I am being purposely obscure to avoid giving away important plot points, though I don’t prioritize plot when I watch movies.) LeRoy’s version follows this convention, and there is also no mention of the Pickwick Club here. We do hear, however, the reason why Mr. March lost money, something that is omitted in the 1933 adaptation, and the 1949 version also adds a minor anecdote about Laurie running away from school to join the army under a different name. My assessment: the LeRoy version is an improvement over the previous one when it comes to the acting, but it seems that the producers’ main goal was to colorize Cukor’s film. We are even shown a rainbow, to drive the point home. Some scenes are reproduced almost shot-by-shot, most notably the school scene: the teacher is even played by the same actor, who according to imdb.com wears the same outfit and holds the same board with the same writing on it. It would be 45 years before the next adaptation of Alcott’s classic was released. This version, directed by Gillian Armstrong and starring Winona Ryder, is my personal favorite. It is faithful to the text and adds to it without falling into facile opportunism the way the latest adaptation does. LeRoy’s version, then, is my second favorite. Next on my list, something completely different: _In Cold Blood_ (Richard Brooks, 1967). Thanks for reading, and enjoy the film!

This has always been, and probably always will be, my absolute favorite retelling of this heartwarming, classic story. As much as I adored the 1994 version and even the 1933 version to a lesser extent, there's no topping this one. June Allison's Jo is second to none! It's almost as if the role was made just for her. Her performance was perfection as was the rest of the cast's. Elizabeth Taylor nailed the role of Amy and though she appears older in this version than Beth is, she more than makes up for that with her petulantly adorable performance in the first half of the film and her personal growth in the second half is both beautiful and bittersweet. Janet Leigh did a spectacular job as Meg and Margaret O'Brien was precious from beginning to end. Beth has always been my favorite aside from Jo and O'Brien was a joy to watch. This film is by far the one I can empathize with most. While the acting is a bit melodramatic and "outdated" compared to today's standards, it's honestly so refreshing and genuine. Good screenwriting is, sadly, a dying art it seems. Modern filmmakers tend to focus more on cheap gimmicks, CGI, sex appeal, and snarky one-liners that half the time fall flat on the audience's ears. I think they forget that sometimes less is more. I miss the days when films required little more than really talented actors to make them great. This film doesn't need special effects, loud noises, or skin-tight outfits to make a statement. I could feel Jo's desperation to keep her family together, her fear of the unknown, and her grief for the loss of innocence. Every cast member had the talent and the skill to keep the story going even on their own, but together they created one of the most beautiful works of art in all of cinematic history.

Best version of Little Women! The video quality is pretty good for being DVD but I wish they would release this on Blu-ray. I really enjoy old Technicolor movies. Great writing, acting, characters, set design and there's nothing gory or vulgar.

Like the 1933 first sound version of the enduring and beloved novel, this is the first color version from 1949. The producers certainly went to town on sumptuous colorful settings, both indoor and outdoor, which, although clearly fake, give the movie a wonderful Christmas card-like dreaminess, as if the author is nostalgically remembering the favorite moments of her life through rosa-tinted spectacles. Whilst the script follows very closely the 1933 black-and-white version, the music is much more captivating, as is June Allyson's performance of Jo March, having acted her part much more naturally and romantically than when Katherine Hepburn rather over-played her tomboy aggression in 1933. A young Elizabeth Taylor also famously portrays Amy in what must be the finest performance of this rather snooty girl ever. In short, a glowing and quintessential version of the book and ideal for Christmas.

Delivery was great, film is great, glad to add to my collection. Never thought I'd like the film enough to own my own copy of it, but after watching on TCM, then HS a second time I realized I had to get it.

Je pensais avoir commander le dvd en français. Pas deux fois jai commande et 2 fois j'ai eu un dvd dans une langue étrangère.

I have tried for years to find this film. This DVD has perfect picture quality, excellent sound quality, 4.3 aspect ratio (no squished looking people), and is region 0 (ALL). It works on Australian DVD players. Absolutely worth the price!

I love this version of the oft told tale of 4 sisters during a difficult part of their lives. Lots of humour and pathos with winning performances from star June Allyson with sisters Janet Leigh, Elizabeth Taylor and young Margaret O'Brien as she was entering her teenage years. Leon Ames and Mary Astor play the parents (as they did in Meet Me In St Louis). Fun warm tender.