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L**W
A historical murder mystery that reads like a crime drama. A good one.
A well researched, very well written (including organizationally) narrative history on a subject that has been given attention in the literature but remains relatively unknown by the general public. The murders of the oil rich Osage numbered over a couple dozen and for some brief period a mystery to Osage and authorities alike. I should say, federal authorities.While the murders were another reflection of the shameful treatment of the First Nation people in a historical context, in the instance the perpetrator was a local prominent white man living as a friend of the Indians in their midst. The book deals with how the murders were solved and involved a whole cast of characters including tribal members themselves, for several their lives well recounted.Were it not for the underlying disregard for their race and therefore worth as human beings, this story is very much the age old story about human greed. But thanks to the efforts of federal law enforcement as came to be embodied with the founding of the FBI, the perpetrators, largely Whites but not exclusively, were caught and prosecuted. It is how the author weaves together the story to solve the mystery and in the process ties in side stories about the Indian plight in America and how the Osage by virtually total accident came to reside in one of the richest oil reserves in the country and as a consequence became for a time, the richest Americans because of royalties from the mineral rights, that provides for compelling reading.A positive aspect of the writing is that while the author engages in a handful of side stories to add perspective, they are efficient and accretive to the story, not mini books in themselves that become tedious distractions to the story that characterize too many works of non-fiction. When the main story ended about three quarters through and the author embarked on an epilogue I began to fear his story discipline had broken down. But as it happened the author used the epilogue to tie together loose ends of the story post solving of the murders in the mid 1920s. Very satisfying.If the book has a shortcoming it regards the treatment of the rise of the FBI. It’s superficial at best and is limited to the role the Osage murders played in the evolution of the FBI as a national police investigative agency, the first in the country’s history. Whether that merits being included in the title is open to question.
R**Z
More Psychological/Moral than a set of Criminal Investigations
This is an excellent true crime book. I would not place it in the same league as the best true crime books (The Onion Field, In Cold Blood, Sidney Kirkpatrick’s wonderful A Cast of Killers, e.g.) but it is very good. The problem is that true crime entails historical restraints. The key lesson (mini-SPOILER) of Killers of the Flower Moon is that there were a multiplicity of killers; the omnipresent examples of human cruelty and greed result in a judgment of human nature itself, one far more extreme than expected. The problem is that the actual narrative is compromised in the process. We think we know who did it; then we find out that someone else did it as well and someone else and someone else. The narrative becomes complicated and extended, the cast of characters grows; everything becomes a little confusing and the tidy outline of the Aristotelian plot is lost. Bottom line: the book is a little too difficult to follow and it becomes difficult to keep the characters straight.The subtitle suggests that the ‘birth of the FBI’ will be a key part of the story. It is, but only in the sense that one Bureau agent in particular is a key element in the investigation. The material on J. Edgar and his personality is common knowledge and ultimately the birth of the Bureau is tangential to the story of the Osage murders.The story of the black gold and how it is finally replaced by the windmills of an Italian energy company is, in some ways, more interesting. The horrific treatment of the Osage is well-known; what is not so well-known is its extent. In other words, the psychological/moral elements of the story are ultimately more interesting than the investigative ones.My bottom line: the story was chilling and moving but not riveting. Given the breadth of its readership and the resources invested in the film, I expected more. The book is essentially an examination of the depths of the darkness within the human soul; the murder investigations are less interesting.Four stars.
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